Julia Haggarty

Welcome

This is the home of Julia Haggarty, a country artist and songwriter born in London, Ontario. Here you can read her story, listen to her singles, look back over her performance dates and find press coverage. For bookings, write to contact@juliahaggarty.com.

Julia's music education began at St. Mary Choir and Orchestra School and continued at Catholic Central High School. She later completed a Bachelor of Music (Hons. Voice Performance) and an Artist Diploma at Western University, and she won the Popular Vote in CBC's Searchlight for Windsor/London.

Featured video

Videos are collected on her YouTube channel: youtube.com/juliahaggartymusic.

Music

Singles include Overthinking You and Paradise. Both are available on Spotify, iTunes and Google Play.

• Overthinking You — Spotify, iTunes, Google Play
• Paradise — Spotify, iTunes, Google Play

Selected performance dates

To book Julia for a private or public event, email contact@juliahaggarty.com.

Julia Haggarty is a country artist and songwriter whose music carries a sense of place. Raised in London, Ontario, she grew up surrounded by the sounds of both the church choir and the radio, and that blend of discipline and easy melody still shapes the songs she writes today. Her work leans on storytelling first, letting a plainspoken lyric carry the weight of a memory or a feeling rather than burying it under production. Listeners often describe her sound as warm and unhurried, the kind of country that feels at home on a summer evening or a long drive.

Songwriting sits at the centre of everything Julia does. She approaches a new song the way a writer approaches a short story, looking for the small detail that opens up something larger. A phrase overheard in passing, a change in the weather, the way a town looks when the fairground lights come on, all of these can become the seed of a verse. She tends to write from lived experience and close observation, and she is drawn to songs that feel honest rather than polished, where the emotion arrives without being announced.

Her musical education gave her a strong technical foundation without ever overshadowing the songs themselves. Training in voice and performance taught her how to use breath, phrasing, and restraint as tools of expression, and she carries that craft into every stage appearance. Rather than treating technique as an end in itself, she uses it to serve the story, knowing when to pull back and let a line land quietly. That balance between training and instinct is part of what gives her performances their unforced, conversational quality.

Live performance is where the songs tend to come alive. Julia has appeared on festival stages and in smaller, more intimate rooms, and she adapts her set to suit the setting rather than forcing the same show on every audience. On a big outdoor stage she leans into the open air and the energy of a crowd, while in a close venue she lets the quieter songs breathe. Either way, the goal is the same: to make the room feel like a shared space where the songs are being told rather than performed at people.

Alongside her own writing, Julia has built a catalogue of singles that document her growth as an artist. Each release captures a particular moment in her development, and taken together they trace a clear line from her earliest recordings to the more assured songwriting she does now. She treats the studio as a place to test ideas and refine arrangements, always asking whether a part serves the song. For listeners new to her music, the singles are the simplest way in, offering a sense of her voice and her point of view.

Press coverage and reviews have helped carry her music beyond the places she has played. Writers who follow her work tend to focus on the same qualities her audiences notice: the clarity of her voice, the honesty of her lyrics, and the way her country influences are worn lightly rather than as costume. She is grateful for that attention but keeps her focus on the next song rather than the last review, treating coverage as a way to reach new listeners rather than as a measure of success in itself.

Staying connected with listeners matters to Julia, and she keeps a mailing list for anyone who wants to follow along. Subscribers receive occasional news and updates, from new releases to upcoming performance dates, delivered without clutter or constant noise. Signing up is simply a way to hear about things as they happen rather than trying to catch every post across social platforms. She also shares short videos and featured clips, giving a closer look at songs in progress and moments from the road.

The visual side of the project reflects a deliberately plain and personal approach. Rather than presenting a slick, heavily designed image, the site reads like a straightforward document, with simple text and small images placed alongside one another. It is a style that puts the words first and lets the music speak for itself, echoing the way an early personal homepage might have looked. For an artist whose work is built on honesty, that unadorned presentation feels consistent with the songs themselves.

Julia's writing is rooted in the landscapes and seasons she knows best. Summer evenings, small towns, fairgrounds, and the long quiet stretches between them all find their way into her lyrics, giving her music a grounded, regional texture that never feels insular. She writes about ordinary lives with care, finding the emotional weight in moments that might otherwise pass unnoticed. That attentiveness to the everyday is what makes her songs feel both specific and widely recognisable to anyone who has grown up somewhere similar.

Looking ahead, Julia continues to write, record, and perform, building on the foundation of her training and her growing catalogue of releases. She remains committed to the craft of the song above all else, treating each new project as a chance to say something more clearly than before. Whether she is in a writing room, a studio, or on a festival stage, the same intention carries through: to tell a story plainly and let the listener find themselves inside it.

Press

Articles about Julia's work have appeared in local and regional outlets, including Happy days ahead (2015), Lucan singer celebrates album release, Julia Haggarty brings local to London (The Gazette) and Going solo (2014).

Newsletter

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